ОСОБЛИВОСТІ РЕЛІГІЙНОГО ТЛУМАЧЕННЯ КОНЦЕПТУ "АБСОЛЮТ" У РОБОТІ Я. Е. ГОЛОСОВКЕРА "ІМАГІНАТИВНИЙ АБСОЛЮТ"

Olha Prymak

doi:10.17721/sophia.2022.20.11

Authors

Olha Prymak Taras Shevchenko National University of Kyiv, Kyiv, Ukraine https://orcid.org/0000-0002-2935-7703

DOI:

https://doi.org/10.17721/sophia.2022.20.11

Keywords:

imaginative absolute, absolute, the creativity theory, Y. Golosovker

Abstract

The article considers the peculiarities of philosophical understanding and definition of the concept of "absolute" in the works of Russian philosopher Y. Golosovker. We suggest a consistent analysis of the original creativity theory of the Russian researcher and the place of the term "imaginative absolute". The theory of creativity is considered as a unique philosophical construct, which is marked by the synthesis of culturological, aesthetic and epistemological orientations of the author. The imaginative absolute appears as a human genius, an instinct that provides the basis for the existence of culture, remaining on the border of human-secular and ideal-value. In addition, the article focuses on the study of the religious nature of the absolute in the views of Golosovker. In particular, a reasonable assumption is made about the non-religious semantics of the absolute concept. Golosovker's views and attitudes to religion are also revealed.

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